Categories
Sound

Reproduction of Sound Induced by Northern Lights

Does the aurora borealis produce sound? For some, it seems it does.

This piece is my personal reproduction of the auroral sound experience I had while working as a research assistant at the Sodankylä Geophysical Observatory in Finland. It reflects what I heard, an approximation unique to my perception; others might experience it differently.

In the winter of 2001, during peak auroral activity, five of us witnessed a vivid display of northern lights. Initially, three parallel belts of light appeared, which suddenly merged into one directly above us. At that moment, I perceived a sound unlike anything I had heard before.

The sound created its own space within my mind – devoid of reverberation or conventional spatial cues. The sound was dry. It resembled countless layered noises, each distinguishable, producing a sense of infinite depth yet feeling somehow confined, perhaps limited by my own perception.

Intermittently, very soft and deep pops punctuated the soundscape.

The sound’s presence fluctuated with the aurora’s movements. It ceased when the single belt split back into three. Moving my head did not alter the sound’s characteristics.

I was initially hesitant to share this experience with others. At the time, a project at SGO was collecting reports of auroral sounds, so I submitted mine. Later that night, I created a reproduction of what I heard – this piece is a refined, modern version of that.

I later came across the Frey effect (microwave auditory effect), which aligns with my experience but does not contradict my initial impression that the northern lights sound was directly induced.

The accompanying image is from Pixabay.

Categories
Sound

Sounds of Saturn’s Rings – A Sonification of Space

The rings of Saturn resemble a spectrogram, which inspired this experimental sonification of space.

An authentic image of Saturn’s rings was used as a spectral source. A 1-pixel vertical slice of the image was extracted and separated into three color channels. The intensity values of each channel were mapped to the cutoff frequencies of resonant filters—effectively translating the visual data into sound.

Each color plane drives 256 simultaneous sound sources, spatially arranged across the stereo field to mirror their position in the image. Some variations use up to 1024 voices, creating rich, layered textures. Minor frequency offsets per color channel introduce a subtle chorus effect.

The result is an immersive soundscape—an audible interpretation of Saturn’s rings. Original lossless audio files are available on Freesound.

Categories
Sound

Interactive Sound Wave Builder Using Live Video Input

The interactive sound wave builder was showcased at the Helsinki Hacklab booth during WÄRK:fest, a DIY/hacker/culture festival. The setup featured a small table, a webcam, and a Max/MSP/Jitter system. Visitors manipulated sound waves by arranging colorful objects on the table.

The table was scanned in two dimensions in real time, with the captured data driving oscillator pitches, amplitudes, and waveforms. This interaction generated both evolving soundscapes and dynamic visual patterns simultaneously.

Categories
Art

Sonification of a Graphical Piece – Sounds of Calligraphy

The three pieces in the Sounds of Calligraphy playlist continue from the SARANA performance at the Viiva & Viiru calligraphy group exhibition opening in Helsinki. They are generated in real time by analyzing the images across three color channels, with some oscillator waveforms derived directly from the image properties. Each channel uses 128 oscillators and filters, spatially positioned in the stereo field to precisely follow the visual forms. This results in a true sonic journey across the images.

The sonification was created using Max/MSP/Jitter. Special thanks to the Viiva & Viiru group for embracing this abstract approach.

Categories
Art

Generative Interactive Sound Art Installation

AMBIENT² translates the soundscape of Harakka Island in Helsinki into music through a computer-driven generative process. We are born into a familiar sound environment that becomes our baseline, making everything else seem strange or peculiar. This project is about reinterpretation—by rendering the same soundscape as music, it reveals unexpected and uncanny elements. Video of the interactive sound installation.

Ambient^2 Generatiivinen ääni-installaatio

The music created by AMBIENT² does not conform to any traditional note system. Instead, it reconstructs the source material’s frequencies using synthetic instruments in a spectral musical framework. The result is a composition that never exactly repeats itself; the observed environment acts as the composer, generating its own unique tonal system. This music is not random but governed by its inherent rules.

Rooted in ambient aesthetics, the piece blurs the boundaries between ambient sound and ambient music, seamlessly merging the musical space with the surrounding world.

AMBIENT² was featured at the La-Bas Biennale 2012 and exhibited at the Sound Art Gallery Akusmata.